Misty Copeland Mobile Number, Phone Number, Email ID, House Residence Address, Contact Number Information, Biography, Whatsapp, and More possible original information are provided by us here.
Dancer Misty Danielle Copeland is a member of the American Ballet Theatre in New York City. She was introduced to ballet at the age of 13 when she joined her middle school’s drill squad, and she has been performing ever since. Cynthia Bradley’s dancing classes were recommended to her by the team’s coach, who saw her innate talent. When her training became more intense, she moved in with Bradley’s family. In 1998, she received her first ‘Los Angeles Music Center Spotlight Awards’ top medal in the ballet category. This same year, she saw her mother’s legal battle with the Bradleys over custody.
In 2000, she was named the ABT’s ‘National Coca-Cola Scholar’ and won a full scholarship to the ‘Summer Intensive’ programme of the ABT. Following that, she was selected to join the prestigious ‘Corps de Ballet’ of the American Ballet Theater. She was the first woman soloist of African American ancestry to join the group in two decades, despite being scrutinised for her race and ethnicity throughout her career. After 75 years, she became the first African-American principal dancer at the American Ballet Theatre (ABT) in 2015.
Doug and Sylvia DelaCerna had Misty Copeland on September 10, 1982, in Kansas City, Missouri, the United States. She is of German, African American, and Italian heritage. Two brothers, Doulas Jr., and Christopher; a sister, Erica; one half-brother, Cameron; and a half-sister, Lindsay make up her immediate family.
Misty’s father was her mother’s second husband after four marriages. The last time she would see her father for another two decades was when she moved to California when she was three. She grew up in the San Pedro neighbourhood of Los Angeles. When Misty was growing up, her family was constantly on the move because of her mother’s inability to pay the rent.
When she joined the ‘Dana Middle School’ drill squad and was elevated to captain, like her sister Erica before her, her love in ballet began to blossom. The local “Boys and Girls Club” offered a free ballet lesson for local youth, and her coach Elizabeth Cantine recommended Cynthia Bradley as a teacher because of her natural poise and talent. Shortly after she began attending the free class, Bradley invited Misty Copeland to join her local little ballet school, ‘San Pedro Dance Center.’. Her mother gave her permission to join the programme at the age of 13 after she initially rejected the offer. After three months, she was perfectly centred. Her performance as Clara in the school production of “The Nutcracker” wowed the audience even though she had only been taking dance classes for eight months.
After DelaCerna informed Copeland that she would have to give up ballet, Bradley urged her mother to allow Copeland to live with her and continue her training outside of her home. In 1998, she was granted a full-time scholarship to the ‘San Francisco Ballet School’ after completing a summer workshop, but she turned it down.
As a result of her mother and daughter’s continual bickering over dancing and the Bradleys, Copeland sought formal independence from her mother by filing emancipation papers. DelaCerna sought restraining orders against the Bradleys as soon as she learned of the petition. At the ‘Los Angeles County Superior Court,’ the hearing was held. Copeland was able to return home once both cases were dropped.
It was in 2000 that she returned to ‘San Pedro High School’ and earned her high school diploma. Diane Lauridsen, a former ABT dancer, was also a new teacher for her daughter.
Copeland received a full scholarship to attend ABT’s ‘Summer Intensive’ programme in 1999. As Kitri, she danced in ‘Don Quixote’ in the year 2000. Later that year, she joined the ‘ABT Studio Company,’ where she still works.
After a lumbar stress fracture in mid-2001, she was forced to miss nearly a year of performances because of it. Even though she was 19, she hadn’t yet reached puberty. As a result of being prescribed birth control pills, she gained 10 pounds and developed the curves of a ballet dancer.
The ABT hierarchy was well-aware of her physical transformation. She was under professional pressure to conform to the aesthetics of traditional ballet. As a result, she suffered from depression and an eating issue. With the aid of those she trusted, she conquered her sadness and eventually found self-confidence in her body.
The ABT named her a soloist in August of 2007. A string of successful roles followed, including “Ballo della Regina” (2007), “The Dozen,” “One of Three,” and “Birthday Offering,” as well as “Giselle,” all of which won critical acclaim (2011). She was forced to leave ‘The Firebird,’ where she was dancing as an alternate lead, due to six stress fractures in her tibia in 2012. When she returned to the stage in May 2013, she appeared in Don Quixote as the Queen of the Dryads.
By becoming ABT’s lead dancer on June 15, 2015, she became the first black woman to hold that position at a major international company. In December 2010, Misty Copeland joined Prince onstage at New York City’s Madison Square Garden to perform the song “The Beautiful One” together. They had previously worked together on a music video for his cover of ‘Tommy James and the Shondells’ song ‘Crimson and Clover’.
At the Eisenhower Theater in the John F. Kennedy Center for the Performing Arts in April 2015, Copeland danced as Odette/Odile in “Swan Lake” with “The Washington Ballet.”
A Broadway production of “On the Town,” in which she played Ivy Smith, was her Broadway debut in 2015. Copeland obtained the ‘Leonore Annenberg Fellowship’ in the Arts, an award that allowed her to pursue additional training outside of ABT. A year later, she was named the “Boys & Girls Clubs of America National Youth of the Year Ambassador” for 2013.
In 2014, she was nominated to the President’s Council on Fitness, Sports, and Nutrition along with only a handful of other notable public people by then-president Barack Obama. The ‘University of Hartford’ gave her an honorary doctorate in the same year.
Olu Evans, a business attorney, and Misty Copeland first met in a New York nightclub in 2004. They tied the knot on July 31, 2016, at the Montage Hotel in Laguna Beach, California, after a few years of dating. His dancewear company, ‘Muse Dancewear LLC,’ is based out of his Upper West Side residence.
In 2015, Copeland narrated a documentary film about her life called “A Ballerina’s Tale.” The film had its world premiere on April 19 at the Tribeca Film Festival.
In addition to her two memoirs, she has published three other works. On March 4, 2014, she and journalist Charisse Jones released their memoir, titled ‘Life in Motion: An Unlikely Ballerina,’ which they wrote together. Christopher Myers provided the pictures for her second book as an author, ‘Firebird,’ which was released on September 4th. Ballerina Body, her second autobiographical memoir, was published on March 21, 2017. She and Jones collaborated again on the project. When Misty Copeland became the first African-American female main dancer with the American Ballet Theatre in 2015, it was a historic moment for ballet (ABT).
Family finances were precarious for Misty Copeland and her siblings because their mother had been married off multiple times. Copeland’s family relocated from Kansas City to San Pedro, California, when she was just a few years old. The drill team at her middle school was her first official introduction to dance. She was encouraged to take ballet lessons with Cynthia Bradley at the Boys & Girls Club after her coach saw her potential. Though she was just 13 years old, Copeland began attending courses with Bradley at the San Pedro Ballet School under the tutelage of the legendary dancer.
During this time, Copeland moved in with Bradley and her family so she could be closer to the studio. In 1998, at the age of 15, she was named the winner of the Los Angeles Music Center Spotlight Awards’ best ballet performer. The next summer, she was offered a full scholarship to the San Francisco Ballet’s intense summer training programme. In the same year, the Bradleys and Copeland’s mother, who at the time was living in a motel with her children, engaged in a custody dispute. Copeland returned home to live with her parents and started high school at San Pedro High.
Lauridsen Ballet Centre in Torrance, California, is where she continued her ballet training. When Copeland was accepted into the ABT’s intense summer programme in 2000, he received another full scholarship. In addition, she was recognised as the ABT’s National Coca-Cola Scholar in that same year.. She was selected to join the ABT studio company at the end of the summer, a prestigious programme for young dancers just starting their careers.
In 2001, she became the only African American woman in a company of 80 dancers to join the ABT corps de ballet. Despite the fact that she was often reminded of her outlier status due to her larger stature and darker colour than her contemporaries, she rose up the ranks despite these setbacks thanks to her remarkable abilities.
Copeland became a cultural figure and a role model because of her inspirational life story. Prince’s “Crimson and Clover” video included Copeland in 2009. She also toured with him the next year and performed live. Copeland became a vocal champion for a more diverse ballet community and greater access to the art form for dancers of all backgrounds. ABT’s Project Plié, which began in 2013 and provides training and mentorship to dance teachers in different areas around the country as well as Boys & Girls Clubs, had her on its advisory group.
Life in Motion: A Ballerina’s Memoir was released in 2014, and Copeland’s endorsements include Coach (leather accessories) and Under Armour (athletic clothing) (athletic wear). After 75 years of existence, the ABT finally hired its first African American female main dancer, Misty Copeland, in June 2015. Leonard Bernstein’s On the Town, which she debuted in the role of Ivy Smith in in August of that year, marked her Broadway debut.
Misty Copeland Phone Number, Email Address, Contact No Information and More Details
Misty Copeland Addresses:
Misty Copeland, Kansas City, Missouri, United States
Fanmail Address / Autograph Request Address:
American Ballet Theatre
New York, NY 10003
Misty Copeland Contact Phone Number and Contact Details info
- Misty Copeland Phone Number: (212) 477-3030
- Misty Copeland Mobile Contact Number: NA
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- Personal Phone Number: Same as Above
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Social Media Accounts of Content Creator ‘Misty Copeland ’
- TikTok Account: NA
- Facebook Account (Facebook Profile): https://www.facebook.com/mistycopeland
- Twitter Account: https://mobile.twitter.com/mistyonpointe
- Instagram Account: https://www.instagram.com/mistyonpointe/
- YouTube Channel: https://www.youtube.com/channel/UCJ8ErQgDyWNJJqun803FkQw
- Tumblr Details: NA
- Official Website: NA
- Snapchat Profile: NA
Personal Facts and Figures
- Birthday/Birth Date: 10 September 1982 (age 39 years), Kansas City, Missouri, United States
- Place of Birth: Kansas City, Missouri, United States
- Husband/BoyFriend: Olu Evans (M. 2016)
- Children: NA
- Age: 39 Years old
- Official TikTok: NA
- Occupation: dancer
- Height: 5’2″ Females
- Salary of Misty Copeland: NA
- Net worth: NA
- Education: Yes
- Total TikTok Fans/Followers: Not Known
- Facebook Fans: Not Known
- Twitter Followers: Not Known
- Total Instagram Followers: 56k followers
- Total YouTube Followers: Not Known
| Misty Copeland |
Address, Phone Number, Email ID, Website
|House address (residence address)||Kansas City, Missouri, United States|
Some Important Facts About Misty Copeland:-
- Misty Copeland was born on 10 September 1982.
- Her Age is 39 years old.
- Her birth sign is Pisces.