Paul Hirsch Mobile Number, Phone Number, Email ID, House Residence Address, Contact Number Information, Biography, Whatsapp, and More possible original information are provided by us here.
Paul Frederick Hirsch is an American film editor born November 14, 1945. He has worked with over forty films since 1970 and is best known as one of the most prominent filmmakers to emerge from the New Hollywood movement. He has collaborated with directors such as Brian De Palma, George Lucas, George A. Romero, and Herbert Ross. His contributions to the first Star Wars film, which he co-directed with Richard Chew and Marcia Lucas, earned him both an Academy Award and a Saturn Award on the same day.
The son of the painter Joseph Hirsch, who was born and raised in New York City. It was of German and Jewish origin that his father was. After receiving his degree from Columbia University in 1966, he started working toward a profession in editing. During the late 1960s, when he worked in New York City editing trailers, his brother Charles introduced him to Brian De Palma, a relatively unknown director. They have worked together to produce eleven full-length motion pictures.
He was awarded the Academy Award for Best Film Editing in 1978 for his work on Star Wars. Richard Chew and Marcia Lucas were also considered for this honor. Additionally, he was the first individual to receive the Saturn Award for Best Editing on two separate occasions, first for the film Star Wars in 1977 and again for the film Mission: Impossible – Ghost Protocol in 2011. Throughout his career, he has edited more than thirty-five feature films, some of which include The Empire Strikes Back, Ferris Bueller’s Day Off, Mission: Impossible, Planes, Trains, and Automobiles, Footloose, Carrie, Falling, Phantom of the Paradise, Obsession, and Blow Out.
The Secret of My Success, Steel Magnolias, and Ray, for which he was nominated for a second Academy Award in 2005, as well as the American Cinema Editors’ Award for Best Edited Feature Film (Comedy or Musical), were all films that he worked on. Additionally, he has collaborated with Duncan Jones on the projects Source Code and Warcraft. On a sporadic basis, Hirsch sees movies that are not his own more than once. Despite this, he highlights that the musical An American in Paris and the science fiction picture 2001: A Space Odyssey rve deserving.
Oscar-winning editor Paul Hirsch has more than 40 films, ranging from comedies to thriller and science fiction films. As he travels to the Camerimage Film Festival to receive his prize for “unique visual sensitivity,” he has much to give in the way of advice to younger filmmakers. After jumping into editing without any official training on the film “Hi, Mom!” for Brian De Palma in 1970, he quickly found himself working with George Lucas on the first “Star Wars” picture, for which he earned an Academy Award together with Marcia Lucas and Richard Chew.
According to Hirsch, he employs rhythm and the structure of music as guiding elements in his work. He has always concentrated on these aspects. According to him, music and cinema are the only forms of art that include the application of time. “Poetry and architecture both incorporate rhythms in their forms. To add insult to injury, I think dancing is a grafted upon music. The graduate of the High School of Music and Art and a native New Yorker, he has utilized his sense of staccato and counterpoint in the film “Footloose” from 1984, three films directed by John Hughes, including “Ferris Bueller’s Day Off” and “Planes, Trains & Automobiles,” and in more serious works such as “Falling” for Joel Schumacher and “Ray” by Taylor Hackford.
At this point, it is common knowledge that editors are the truly unsung heroes of the film industry. We wouldn’t even have movies in the form we know now if it weren’t for editing. Occasionally, an editor who can do more than transform a collection of disjointed photographs into a unified piece of artwork will emerge. A film editor whose impact on the picture is so immense that it is inconceivable to even think of the existence of such a film without that individual — an editor such as Marcia Lucas, who contributed to the formation of the cultural behemoth that is Star Wars.
Born with the name Marcia in 1967, George and Lou Griffin had their first meeting while they were working as apprentice editors on the documentary Journey to the Pacific for the United States Information Agency. At the time, George Lucas was a student at the University of Southern California, and Marcia worked as a film librarian at the Sandler Film Library. Verna Fields, an excellent editor who would go on to win an Academy Award for her work on Jaws in 1975, was the person the two were working with. 1969 was the year that Marcia and George tied the knot.
In 1971, Marcia Lucas’s passion for cinema and her love for her husband came into conflict for the first time when she worked as an assistant editor on her husband’s first film, the dystopian THX-1138. Robert Duvall plays the lead role in the movie, which depicts the narrative of a guy who defies the harsh conventions of the society in which he lives, which is very controlled. Marcia was listed with Verna as the de facto editor, rather than an “assistant,” of Lucas’ second picture, American Graffiti, a caper about a teenager. This film was released in 1973.
At first look, it could seem that Marcia Lucas’s expertise as an editor is limited to the films that her husband has produced. Nevertheless, one would need clarification. Marcia Lucas was a prominent figure in the editing room of Hollywood throughout the 1970s. She collaborated with several talented filmmakers, including Francis Ford Coppola and Martin Scorsese. Her role in the 1969 film The Rain People was that of an aide to Francis Ford Coppola. On the other hand, she worked with Scorsese on several films between 1974 and 1977 under their joint production.
He has collaborated with several renowned filmmakers, such as Brian De Palma, George Lucas, and John Hughes, amongst many others, at the pinnacle of their towering careers. As a result, his portfolio is filled with the most successful films in Hollywood. In the editing room, Paul’s commitment to being a craftsman was instrumental in the creation of several iconic films, including Carrie, The Empire Strikes Back, Blow Out, Footloose, Ferris Bueller’s Day Off, Steel Magnolias, Falling, and Mission: Impossible.
Even before he retired and started writing his book, he was responsible for editing contemporary thrillers such as Source Code, which starred Jake Gyllenhaal, and Mission: Impossible – Ghost Protocol. He is the only person in history to have received the Saturn Award for Best Editing twice. In addition, he has won an Academy Award for his work on the editing of Star Wars and was nominated for another Oscar for his work on Ray, a biopic released in 2004 and focused on the life of Ray Charles. Jamie Foxx was the star of the film.
His remarkable new book provides readers with a glimpse inside the life and work of a man responsible for lending a creative touch that is immediately recognized in several Hollywood films that have been considered landmarks over the last five decades. His new memoir, A Long Time Ago, In a Cutting Room Far, Far Away allows us to see what the process behind putting all of these movies together was really like during an age that can only be described as the second California Gold Rush when Hollywood was bursting with inspirational new voices and some of the greatest movies ever made.
Even though George Lucas authored and rewrote the original screenplay for the first Star Wars picture, he had a tiny idea of how to convey the tale or where it would lead him. This is common in films with a substantial amount of mythology and world-building. Still, it did result in an initial edit of the picture that could have been more organized. In the video that can be seen above, RocketJump examines the process by which A New Hope was rescued via editing. This process included several sequences removed from the film and choices on the restructuring that ultimately resulted in the blockbuster that we know today.
Paul Hirsch Phone Number, Email Address, Contact No Information and More Details
Paul Hirsch Addresses:
House Address:
Paul Hirsch, New York, New York, United States
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Paul Hirsch,
New York,
New York,
United States
Paul Hirsch Contact Phone Number and Contact Details info
- Paul Hirsch Phone Number: Private
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- Personal Phone Number: Same as Above
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Social Media Accounts of Content Creator ‘Paul Hirsch ’
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Personal Facts and Figures
- Birthday/Birth Date: 14 November 1945
- Place of Birth: New York, New York, United States
- Wife/GirlFriend: NA
- Children: Gina Hirsch
- Age: 78 Years old
- Official TikTok: NA
- Occupation: Filmmaker
- Height: 1.6 m
Business Facts
- Salary of Paul Hirsch: $2 million
- Net worth: $2 million
- Education: Yes
- Total TikTok Fans/Followers: NA
- Facebook Fans: NA
- Twitter Followers: NA
- Total Instagram Followers: NA
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| House address (residence address) | New York, New York, United States |
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Some Important Facts About Paul Hirsch:-
- Paul Hirsch was born on November 14, 1945.
- His Age is 78 years old.
- His birth sign is Pisces.
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