Woody Allen Mobile Number, Phone Number, Email ID, House Residence Address, Contact Number Information, Biography, Whatsapp, and More possible original information are provided by us here.
American filmmaker, actor, screenwriter, comedian, playwright, and author born on December 1st, 1935, as Allen Stewart Konigsberg (born Heywood Allen) in Brooklyn, New York. He is best known for his bittersweet comedic films, which often contain elements of parody and slapstick, as well as his weighty dramas, which often have dark themes and desolate settings reminiscent of Swedish director Ingmar Bek. Aside from being a good filmmaker, Allen was also noted for his ability to write well-defined characters for women. Even though he was widely recognised as one of the most skilled film directors by the late 1970s, his reputation was tainted by the varied quality of his subsequent works and allegations of sexual assault.
Allen Konigsberg was raised by observant Jews in Brooklyn, New York. He had a special relationship with his younger sister, who would go on to become a producer with him. Woody Allen began pitching quips to newspaper columnists when he was still in high school, most notably to Earl Wilson, a nationally syndicated columnist. While working under the pseudonym Woody Allen, he began writing jokes for other performers.
Poor grades and inconsistent attendance at New York University and the City College of New York quickly terminated Allen’s stints as a student there. Allen began writing for television in 1956 and joined Sid Caesar’s writing staff in 1958, where he worked alongside Larry Gelbart (who would go on to become the writer-producer of M*A*S*H* on television) and Mel Brooks. In 1960, Allen made the switch to the Garry Moore Show. Allen As a stand-up comic in Greenwich Village, he also appeared on television and recorded several comedy albums during this time.
After impressing actress Shirley MacLaine and producer Charles K. Feldman with his stand-up routine in a nightclub in 1964, Allen was given the opportunity to write the screenplay for the film What’s New, Pussycat? (1965), in which he also had a small supporting role. First film, What’s Up Tiger Lily? (1966), was made by renaming and altering the subject of a Japanese action picture, International Secret Police: Key of Keys (1965), to the quest of a top-secret recipe for egg salad.
The next year, in Casino Royale, Allen played Bond’s nephew. After writing Don’t Drink the Water, he went on to win critical acclaim on Broadway in 1966. Allen’s first piece for The New Yorker was published in the same year. S.J. Perelman-influenced early works gave way to Allen’s own brand of sophisticated humour that appeared in volumes like Without Feathers (1975) and Getting Even (1988). Allen’s work was published in dozens of publications over the course of several decades (1978).
Allen’s first film as a director was Take the Money and Run (1969). Allen, who played a terminally bad burglar who learned his profession by studying old Warner Brothers jail films, co-wrote and performed in this pseudo-documentary that was at times riotously humorous. Even though it cost less than $2 million to produce, the film was a critical and financial success, landing Allen a three-picture deal with United Artists Corporation, where he would continue to work for the rest of the decade.
A romantic comedy he wrote called Play It Again, Sam was Allen’s Broadway debut in 1969 and his Broadway run lasted until 1970. Allen starred as a bashful film critic who seeks counsel from an apparition of Humphrey Bogart on love in Herbert Ross’ 1972 film adaptation of the play. As the hapless, neurotic New Yorker thrust into the midst of a revolution in a make-believe Central American country in Bananas (1971), Allen made his feature film directorial debut for United Artists. Even though Bananas was loosely structured, it contained some of Allen’s funniest moments.
Allen satirised David Reuben’s popular sex guidebook in Everything You Always Wanted to Know About Sex* (*but Were Afraid to Ask) (1972) with mixed results. For Sleeper (1973), Allen played a health-food tycoon who went into the hospital for a simple operation and woke up 200 years later to discover that physicians had frozen him and he was now a stranger in an even weirder land. In a world where sex is illegal, which Allen finds repugnant, he teams up with the rebels under the leadership of Diane Keaton (Allen’s Play It Again, Sam co-star). One of Leo Tolstoy’s most famous works was Love and Death (1975), a satirical parody of the director Sergey Eisenstein as well as several other Russian cultural icons.
In 1976, Allen starred in Martin Ritt’s outstanding drama about Hollywood blacklisting as the protagonist, The Front, and in 1977, he made Annie Hall, a breakthrough picture that substantially increased his status as a filmmaker. It was Allen’s first attempt at combining genuine sentiment with his signature theater-of-the-ridiculous. Keaton and Allen’s real-life relationship is very probably reflected in this heartbreaking love story, despite Allen’s denials that it was based on his own experiences.
As a result of this film, Allen’s on-screen persona became well-known, even if it was only an extension of his off-screen persona: neurotic, erudite and wisecracking, he is also a moralistic and phobic pessimist who is preoccupied with his mortality, but who finds solace in art and love for his existential despair. For the best film, best actress (Keaton), best director, and best screenplay for Annie Hall, the Academy Awards were won (Allen and collaborator Marshall Brickman). Allen, on the other hand, decided to skip the Oscars and instead play clarinet at Michael’s Pub in Manhattan on Monday nights, like he regularly does.
Next, Allen made Interiors (1978), a tribute to Bergman’s heavy psychodrama films. Although the picture was a financial failure, Allen garnered nominated for best director and best original screenplay at the Academy Awards.
Allen found a new lease on life with the New York Mets (1979). It was a valentine to the city that Allen adored, beautifully captured in black-and-white by Gordon Willis, and expertly written by Allen and Brickman, whose screenplay was nominated for an Academy Award. While trying to achieve a more fulfilling work life and love life balance, a television writer (Allen) falls in love with both his best friend’s mistress (Mariel Hemingway) and a 17-year-old acting student (Mariel Hemingway) (Keaton). Manhattan has some claim to be Allen’s best film, albeit it didn’t have the same level of popularity as Annie Hall.
Throughout the 1980s, Allen’s films were adored by filmgoers, reviewers, and industry professionals alike. Some actors did better than others under Allen’s minimal management of his actors, many of whom worked for “scale” (the minimum required salary by the Screen Actors Guild). However, by 2012, 15 performers had been nominated for Academy Awards for their work alongside him. With Orion Pictures after a decade of working with United Artists, Allen was given the creative freedom to make movies his way: with modest budgets, scripts that still left room for improvisation by actors, and meticulously coordinated movement and cinematography that allowed for long takes so that much of Allen’s editing was done with the camera rather than in postproduction. His films were expected to make substantially more money in other countries than in the United States when they were released.
It is possible that Allen’s 1980 film, Stardust Memories, was an attempt to combine the storytelling style of Federico Fellini (another of Allen’s inspirations) with his own unique vision. The surrealistic visuals were a strange contrast to the rest of director Woody Allen’s well-known obsessions, though. In A Midsummer Night’s Sex Comedy (1982), which Allen starred in alongside Mia Farrow for the first time, he and the actress were better welcomed, but the film was unremarkable. The plot revolved around a group of six vacationing couples in the turn of the twentieth century.
Despite his desire for anonymity, Allen portrays Leonard Zelig, a “human chameleon” who has the extraordinary capacity to appear at crucial historical moments in the 1920s, such as listening to Adolf Hitler stir up a crowd or seeing Babe Ruth smash a home run.
Woody Allen Phone Number, Email Address, Contact No Information and More Details
Woody Allen Addresses:
House Address:
Woody Allen, Mount Eden Hospital
Fanmail Address / Autograph Request Address:
Woody Allen
118 E 70th Street
New York, NY 10021-5007
USA
Woody Allen Contact Phone Number and Contact Details info
- Woody Allen Phone Number: (212) 355-5880
- Woody Allen Mobile Contact Number: NA
- WhatsApp Number of Woody Allen: NA
- Personal Phone Number: Same as Above
- Woody Allen Email ID: NA
Social Media Accounts of Content Creator ‘Woody Allen ’
- TikTok Account: NA
- Facebook Account (Facebook Profile): https://www.facebook.com/WoodyAllen
- Twitter Account: NA
- Instagram Account: NA
- YouTube Channel: NA
- Tumblr Details: NA
- Official Website: NA
- Snapchat Profile: NA
Personal Facts and Figures
- Birthday/Birth Date: 30 November 1935 (age 86 years), Mount Eden Hospital
- Place of Birth: Mount Eden Hospital
- Wife/GirlFriend: NA
- Children: NA
- Age: 86 Years old
- Official TikTok: NA
- Occupation: director
- Height: 1.65 m
Business Facts
- Salary of Woody Allen: NA
- Net worth: NA
- Education: Yes
- Total TikTok Fans/Followers: Not Known
- Facebook Fans: Not Known
- Twitter Followers: Not Known
- Total Instagram Followers: Not Known
- Total YouTube Followers: Not Known
| Woody Allen Address, Phone Number, Email ID, Website | |
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| Email Address | NA |
| https://www.facebook.com/WoodyAllen | |
| House address (residence address) | Mount Eden Hospital |
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| Office Address | NA |
| Office Number | NA |
| Official Website | NA |
| Personal No. | NA |
| Phone Number | NA |
| Snapchat Id | NA |
| TikTok Id | NA |
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| Whatsapp No. | NA |
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Some Important Facts About Woody Allen:-
- Woody Allen was born on 30 November 1935.
- His Age is 86 years old.
- His birth sign is Sagittarius.
