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Alice In Chains Phone Number, Office Address, Email, Biography, Wiki, Whatsapp, and Contact Information
As a band, Alice in Chains represented both the grunge movement and the Seattle sound of the 1990s. Prior to Alice in Chains’ founding, Jerry Cantrell and Layne Staley were both members of metal bands and released Facelift in 1990, long before Nirvana’s Nevermind propelled the underground into public popularity. Alice in Chains survived in the glorious days of grunge despite their metal links, and it wasn’t just a matter of timing.
In the early ’90s, the band’s style blended with the alternative rock trend. It was Cantrell’s sombre minor-key riffs that were the perfect fit for Staley’s anguished lyrics, creating a sound that was both hard and radio-ready. It had a wide range of uses, too. Alice in Chains became one of the first alt-rock bands of the ’90s to experiment with acoustic-based music, with singles like “No Excuses” and “I Stay Away” after their early grunge smashes “Man in the Box” and “Would?”
The band’s upward trajectory halted in the second half of the 1990s as a result of his abuse, and the downward spiral culminated in his death by suicide in 2002. Alice in Chains was reactivated four years later by Cantrell, drummer Sean Kinney, and bassist Mike Inez, with singer William DuVall, launching an extended second life of recording and touring.
Sleze, a Seattle-based hair metal band with Layne Staley as the lead singer, was the precursor of Alice in Chains. Staley was introduced to Cantrell during a gathering at the rehearsal facility known as the Music Bank a year prior to Sleze’s name change to Alice N Chains in 1986. Cantrell accepted Staley’s invitation to stay at his rented Music Bank unit after the two became friends. Alice N Chains and Cantrell’s band, Diamond Lie, disbanded soon after.
With drummer Sean Kinney and bassist Mike Starr already in the band, Cantrell began looking for a lead singer and held out hope that Staley would join him. During this time, Cantrell agreed to play guitar for Staley’s band in exchange for his friend joining the newly formed band. That was also Staley’s opinion. Alice in Chains formed soon after the funk band disbanded, and this quartet became known as the band.
With Mother Love Bone frequently sharing the bill with Alice in Chains, promoter Randy Hauser saw the potential and funded a demo. Known as The Treehouse Tapes, the demo was discovered by Soundgarden managers Kelly Curtis and Susan Silver, who forwarded it to Columbia Records. With a record deal and a studio session with Jane’s Addiction producer David Jerden, Alice in Chains were ushered into the studio by the label in 1989.
We Die Young was released early in 1990 as a promotional EP targeted at heavy metal fans, and its title track quickly became a hit on rock radio, paving the way for the release of the band’s debut album, Facelift, in August and a tour opening for Iggy Pop shortly thereafter. In January 1991, “Man in the Box” was released as the album’s second single, and Facelift took off after its music video was heavily aired on MTV. After Van Halen requested Alice in Chains as a tour opener in August, the album received its first gold certification in September, and it would go on to receive two platinum certifications later in the year.
Alice In Chains Biography/Wiki
Despite the success of Facelift, Alice in Chains continued to write and record new music for a follow-up album and an acoustic EP titled Sap. in February 1992, Sap was the first all-acoustic album from an alternative rock band. As a result of the success of the film Singles, Alice in Chains also had a brief cameo appearance in the film. The Seattle music scene had exploded by the time the soundtrack for the film Nevermind was released in June 1992, and Alice in Chains were right in the middle of it all thanks to Nirvana’s second album, Nevermind’s unexpected success.
Singles soundtrack and Alice in Chains’ second album, Dirt’s “Would?” became the first singles to reach number one on Billboard’s mainstream rock chart in June 1992, the same month the soundtrack was released. In September, Dirt was released, and “Them Bones,” the second single from the album, marked Alice in Chains’ first entry into the Billboard alternative rock chart.
Dirt, Alice in Chains’ breakthrough album, arrived at the height of the grunge craze in 1992. “Angry Chair” and “Rooster” and “Down in a Hole” helped keep the album at the top of the charts through the end of the year, as did “Rooster” and “Down in a Hole,” which were both Top 10 mainstream rock successes at the time.
The band’s style merged with the alternative rock trend in the early 1990s. Cantrell’s sombre minor-key riffs complemented Staley’s pained lyrics perfectly, resulting in a sound that was both hard and radio-ready. Additionally, it served a variety of purposes. Alice in Chains were one of the first alt-rock bands to experiment with acoustic-based music in the 1990s, with singles such as “No Excuses” and “I Stay Away” following their early grunge smashes “Man in the Box” and “Would?”
The band’s upward trajectory came to an abrupt halt in the second half of the 1990s due to his abuse, and the downward spiral culminated in his suicide in 2002. Cantrell, drummer Sean Kinney, and bassist Mike Inez, along with singer William DuVall, resurrected Alice in Chains four years later, commencing a prolonged second life of recording and touring.
Sleze, a Seattle-based hair metal band led by Layne Staley, was Alice in Chains’ forerunner. Staley met Cantrell at a gathering at the Music Bank a year before Sleze changed their name to Alice N Chains in 1986. After the two became friends, Cantrell accepted Staley’s invitation to stay at his rented Music Bank unit. Soon afterwards, Alice N Chains and Cantrell’s band, Diamond Lie, split.
With drummer Sean Kinney and bassist Mike Starr already in the band, Cantrell began seeking for a lead singer and hoped for Staley’s participation. Cantrell agreed to play guitar for Staley’s band in exchange for his friend joining the newly established band during this time period. That, too, was Staley’s assessment. Alice in Chains was created shortly after the disbandment of the funk band, and the quartet became known as the band.
Mother Love Bone frequently opened for Alice in Chains, and promoter Randy Hauser recognised the potential and commissioned a demo. The demo, dubbed The Treehouse Tapes, was discovered and delivered to Columbia Records by Soundgarden managers Kelly Curtis and Susan Silver. Alice in Chains were ushered into the studio in 1989 by the label, courtesy of a record deal and a studio session with Jane’s Addiction producer David Jerden.
We Die Young was released in early 1990 as a promotional EP aimed at heavy metal enthusiasts, and its title single immediately became a radio smash, setting the way for the band’s August debut album, Facelift, and a tour opening for Iggy Pop shortly thereafter. “Man in the Box” was released as the album’s second single in January 1991, and Facelift quickly gained popularity as its music video was aggressively promoted on MTV. Following Van Halen’s August request for Alice in Chains to begin their tour, the album gained its first gold certification in September, followed by two platinum certifications later in the year.
Despite Facelift’s success, Alice in Chains continued to create and record new material for a follow-up album and an acoustic EP named Sap. Sap was the first all-acoustic album released by an alternative rock band in February 1992. Alice in Chains also made a quick cameo appearance in the film as a result of the film’s success. By the time the soundtrack for the film Nevermind was released in June 1992, the Seattle music scene had burst, and Alice in Chains were right in the thick of it, owing to Nirvana’s second album, Nevermind’s unexpected success.
Dirt was released in September, and “Them Bones,” the album’s second single, became Alice in Chains’ first entry on the Billboard alternative rock list.
Alice in Chains’ breakthrough album, Dirt, was released in 1992, at the height of the grunge wave. “Angry Chair,” “Rooster,” and “Down in a Hole” all contributed to the album remaining at the top of the charts well into the following year, as did “Rooster” and “Down in a Hole,” which were both Top 10 mainstream rock successes at the time.
| Alice In Chains Phone Address, Phone Number, Email ID, Website | |
|---|---|
| Email Address | NA |
| NA | |
| Fanmail address (residence address) | Alice In Chains Velvet Hammer Management 9014 Melrose Avenue West Hollywood, CA 90069 USA |
| https://www.instagram.com/aliceinchains/ | |
| Office Address | NA |
| Office Number | NA |
| Official Website | NA |
| Personal No. | NA |
| Phone Number | (310) 657-0310. |
| Snapchat Id | NA |
| TikTok Id | NA |
| https://twitter.com/aliceinchains | |
| Whatsapp No. | NA |
Alice In Chains Contact Details
1. INSTAGRAM: https://www.instagram.com/aliceinchains/
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2. YOUTUBE: https://www.youtube.com/user/aliceinchainsvids
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3. FACEBOOK: NA
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4. TWITTER: https://twitter.com/aliceinchains
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5. EMAIL: N/A
6. PHONE NUMBER: (310) 657-0310.
7. Fanmail Address:
Alice In Chains
Velvet Hammer Management
9014 Melrose Avenue
West Hollywood, CA 90069
USA
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