Wendy Cope Mobile Number, Phone Number, Email ID, House Residence Address, Contact Number Information, Biography, Whatsapp, and More possible original information are provided by us here.
Wendy Cope was born in Kent, England, and she spent most of her childhood listening to her parents read poetry to her. After completing her BA in history, she went on to complete her teacher education at Oxford. Cope worked as an elementary school teacher for a number of years before releasing her first poetry collection, Making Cocoa for Kingsley Amis (1986). Attesting to its astounding economic success, tens of thousands of copies of the compilation were purchased in the UK alone.
It also served to showcase Cope’s prowess in parody, wordplay, traditional form flexibility, and the comedic treatment of sometimes serious topics. To find a poet as consistently hilarious, wide-ranging, and technically brilliant as Cope, poet and literary critic A.M. Jester wrote in the Los Angeles Review of Books, “one needs to go back to Byron.” What Juster said about Cope is true. Major Issues, What I Don’t Know Could Hurt Me Coincidentally, I developed an appreciation for the use of rhyme and the various forms of conventional rhyming.
The poetry in this anthology originally center around literary topics. After that, I began to include rhyming structures in my more introspective poems, many of which were about my romantic relationships. (1995) Making Cocoa for Kingsley Amis, my first full-length collection is generally regarded as a lighter read than Serious Concerns, my second. Despite containing a good number of amusing poems, those who consider it a collection of comedic poetry are missing out on a major percentage of the book’s substance.
Cope published four collections of poetry between 1986 and 2011, winning several accolades along the way. Three awards stand out as especially noteworthy: the Cholmondeley Award in 1987, the American Academy of Arts and Letters Award in 1995, and the Michael Braude Award for Light Verse in 1995. She is well-known not only for her eclectic writing style but also for her penchant for composing parodies. A big part of her renown as a poet comes from the enormous audience she acquired thanks to her witty writing style, which is often likened to that of other prominent British poets. Two Cures for Love: Selected Poems 1979–2006 (2008); and Family Values are some of Cope’s poetry collections, and she is frequently compared to other British poets noted for their funny manner.
She attended the all-female St. Hilda’s College at Oxford University and graduated with a degree in history from that institution. Wendy Cope spent the next 15 years of her life as a teacher after finishing college. In 1981, she started working as a journalist when she joined the team at the London magazine “Contact.” After working in the field for a while, she was hired as a correspondent for the British weekly daily “The Spectator” in 1986 and stayed there until 1990. Wendy Cope was recognized for her efforts with the Cholmondeley Award in 1987. The next year, 1995, she was given the Michael Braude Award in recognition of her achievements. In 2007, she accepted an invitation to join the Booker prize jury. She became an officer in the British Empire’s highest honor in 2010.
The poetess possesses and skilfully employs the full gamut of modern literary forms, from free verse to strictly metrical forms like triolets, sonnets, and panties. Cope also enjoys experimenting with form; in “Triolet in nine lines,” she deviates from the accepted norm, and in “Attempt of a free verse,” she describes the evolution of poetry form from meter to blank verse and finally free verse.
When compared to the generally satirical inclinations that run across the rest of Cope’s poetry, her few sorrowful poems stand out the more starkly. One of them is a poem by Wendy Cope titled “Lonelyhearts.” If you read between the lines of this passage, you might get the impression that finding true love is a challenge. It also characterizes the type of person that suffers from a lonely heart. Although he is well aware of how unlikely it is that he will find a caring and loving partner through his advertisement, he persists in doing so out of a desire to be successful. Because of this, he is open to dating anyone from a Jewish lady with a child to a bisexual woman. Perhaps he is tired of waiting for a woman who will adore him out of the blue.
He places no limits on the number of people who will love him at various points in his life. Another possible meaning of this poem is that of a person’s search for the person they will spend the rest of their lives with. The fact that the sentence is repeated multiple times suggests that the person is determined to see the task through to completion, no matter how difficult it may seem. The poem is simultaneously sardonic and tragic. Through his tears, a lonely man living in the chaos of a big metropolis has found his joy.
She was voted Poet Laureate by BBC Radio 4 listeners in 1998, making her Ted Hughes’s successor. Despite her belief that the Poet Laureate position should be abolished altogether, Cope was once again seen as a leading candidate in 2009 when Andrew Motion’s term as Poet Laureate ended. After Motion’s resignation, Carol Ann Duffy became Poet Laureate. Cope was made an Officer of the Order of the British Empire in the 2010 Birthday Honours (OBE). Cope’s collection was purchased by the British Institution in April 2011, and it includes 40,000 emails in addition to manuscripts and school reports. This was the largest email archive the library had ever purchased.
The contents also include 67 poetry notebooks and previously unpublished poems. “I was looking for a good spot for my collection of documents,” Cope said. We had to move, so the timing was governed by the need to save up for a new home and the additional square footage it would provide. As a result, right now was the best opportunity. Andrew Motion advised I contact a representative of the British Library when I asked for guidance on what I should do. I wasn’t sure if anyone would actually be interested, but they clearly do. When the archive has been properly cataloged and organized to store the collection, researchers will be able to use it.
I have published a new poetry collection since my last interview for the archive in 2005, and I’m almost done with a second. The name of that set is “Family Values” (2011). Poems from the book are featured on this fresh new recording, along with several that haven’t been collected anywhere else. Some purchasers may have been upset since the ironic nature of the title, “Family Values,” was not made clear to them before they bought the book. Several of the poems are reminiscences of my youth, which I felt freer to explore after my mother’s death in 2004.
The book also features two sequences written for unrelated projects: The Audience, written for the Endellion String Quartet, and An ABC of the BBC, written for a Radio 4 program. Each of the sequences has two poems represented on the album, read by their respective authors. Two of the poems not found in any other collections were commissioned especially for this anthology by the Shakespeare Birthplace Trust. Both of these poems were composed in response to the request. I was tasked with writing some poetry to mark the 400th anniversary of Shakespeare’s death. Anything else is a complete hodgepodge. Topics in this essay include John Cage, Jesus, the Archbishop of Canterbury, a malfunctioning piano, and a reunion from one’s high school days. There seems to be no connecting theme here.
When I examine the two collections of poetry side by side, I find that the more contemporary poems use rhyming forms in a smaller sample size. When comparing the two lists, I find this to be the most striking difference. I still have a lot of love for traditional forms, especially the Shakespearean sonnet, so I have no plans to abandon them. Having said that, the other item has always been a priority of mine, so I need to make sure I can do it. I won’t call it “free verse” since there are many who disagree and say it doesn’t exist. Not sure what to call it, but perhaps some of these poems demonstrate my ability.
I first began writing poetry when I was twenty-seven years old in the early 1970s. My earliest attempts at writing poetry were quick, poetic, and full of raw passion. Some of them were haiku, and others were written in free verse. Not a single one of them rhymed. There was nothing funny about them. Nearly six years into my poetry-writing career, I began to include more humorous elements. Some terrible poet named Jason Strangely from South London was a creation of mine. To express his feelings about the challenges of middle age as a writer, he wrote sonnets in Shakespeare’s style. He was also influenced by modern poets; a series of parodies of contemporary poets was published under his name.
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Wendy Cope, Erith, United Kingdom
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Erith, United Kingdom
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- Facebook Account(Facebook Profile): https://www.facebook.com/public/Wendy-Cope
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Personal Facts and Figures
- Birthday/Birth Date: 21 July 1945
- Place of Birth: Erith, United Kingdom
- Husband/BoyFriend: Lachlan Mackinnon (m. 2013)
- Children: NA
- Age: 77 Years old
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- Occupation: Poet
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- Net worth: $1.5 Million
- Education: yes
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- Twitter Followers: 1239 follower
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Wendy Cope Address, Phone Number, Email ID, Website
|House address (residence address)||Erith, United Kingdom|
Some Important Facts About Wendy Cope:-
- Wendy Cope was born on 21 July 1945.
- Her Age is 77 years old.
- Her birth sign is Pisces.